PHIL WOODS & BILL MAYS – Woods & Mays

Grammy winner and multiple nominee Phil Woods is one of the top alto saxophonists alive, and he has lost neither his enthusiasm nor his creativity through his illustrious career. He has contributed on many pop albums including the well known sax solo on Billy Joel’s ‘Just The Way You Are.’ Other pop artists Phil has worked with are Carly Simon, Steely Dan, and Paul Simon. During his long career he has also worked with the who’s who of the jazz world: Thelonious Monk, Quincy Jones, Dizzy Gillespie, Clark Terry, Hank Jones…and the list goes on and on.

Bill Mays has recorded four albums for Palmetto. He now holds the piano chair in the Phil Woods Quintet. Bill has been an accompanist to singers Al Jarreau, Peggy Lee, Anita O’Day, Frank Sinatra, Sarah Vaughan, Dionne Warwick, and also worked with artists such as Mel Lewis, Shelly Manne, Bob Mintzer, Red Mitchell, Gerry Mulligan, Art Pepper, Bud Shank, Bobby Shew, Sonny Stitt, Paul Winter, Phil Woods, Frank Zappa.

http://www.philwoods.com/

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CINDY BRADLEY – Unscripted

From one of the most nominated, most in-demand artists and winner of Best New Artist 2010 American Contemporary Jazz Awards, comes this revealing portrait of a young lady that has captured the attention and imaginations of fans and critics alike. With three nods, Best New Artist, Best Female Artist, Best Brass Player at this year’s Contemporary Jazz Awards the accolades continue.

Painted with a broad musical brush, Unscripted doesn’t play by the rules and captures the essence of the deep connection she has with her instrument as she delivers a scintillating palate of moods and flavors worthy a feast for the ears, yet one which will move the heart. Everything is on the table here as Bradley bares her soul on the heartfelt and plaintive ‘Inevitable,’ you’ll feel the pure magic and the ensuing goose bumps that happen when she and producer Michael Broening weave their own musical tapestry on the standard ‘You Don t Know What Love Is,’ feel the fire and ice as Cindy brings the heat on the track ‘Massive Transit,’ the ice as she blows a hip chill over the Wayne Shorter classic ‘Footprints’ and bask in the raw emotion that comes from the deeply personal dedication to her mom ‘One Moment More’

Respect has been earned, nods have been given to her predecessors and peers, and Bradley has taken her rightful place among the new guard who will proudly carry the contemporary jazz torch into the new millennium. Unscripted is the beginning pen and chapter in hers, a story that has just begun to be written.

http://www.cindybradley.com/

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MADELEINE PEYROUX – Standing On The Rooftop

For her new album Standing On The Rooftop, multi-platinum vocalist Madeleine Peyroux teamed up with an all-star lineup – including pianist Allen Toussaint and bassist Me’shell Ndegeocello – to explore a rootsy new sound. In addition to Toussaint and Ndegeocello, the record features contributions from guitar iconoclast Marc Ribot (Tom Waits, Elvis Costello), drummer Charley Drayton (Neil Young, Johnny Cash), guitarist Chris Bruce (Seal, John Legend), and was produced by Craig Street (Norah Jones, k.d. Lang).

Peyroux penned most of the tracks herself, though she collaborated with former Rolling Stones bassist Bill Wyman on the funky ‘The Kind You Can’t Afford’ and violinist Jenny Scheinman on the captivating ‘The Things I’ve Seen Today.’

http://standingontherooftop.com/

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PAUL TAYLOR – Prime Time

Paul Taylor has just one question for his fans who have been burnin’ for more since his last hit album in 2009: Are you ready for Prime Time? A true force of nature in urban AC Jazz, Paul Taylor has been on one of the most successful runs of his 15 year recording career, scoring his first # 1 ever on the Billboard contemporary jazz chart with Ladies Choice (2007) and hitting # 1 on the airplay charts with the title track from Burnin’. Fresh from kickin’ it up live these past few summers as part of the Gentlemen of the Night tour, Taylor is keeping things soulful, funky and innovative as ever on his sixth album, Prime Time.

http://www.paultaylorsax.com/

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HIROMI – Voice

Pianist and composer Hiromi Uehara, whose passionate and incendiary keyboard work has been a shining light on the jazz landscape since her 2003 debut, believes that the voice that never speaks can sometimes be the most powerful of all. Her newest release, simply titled Voice, expresses a range of human emotions without the aid of a single lyric.

Although a mesmerizing instrumentalist in her own right, Hiromi enlists the aid of two equally formidable players for this project – bassist Anthony Jackson (Paul Simon, the O’Jays, Steely Dan, Chick Corea) and drummer Simon Phillips (the Who, Judas Priest, David Gilmour, Jack Bruce). Taken as a whole, the individual tracks on Voice do tell a story, says Hiromi, but she’s quick to note that the story is open-ended and subject to interpretations. ‘I’m not talking about a story in the sense of a novel,’ she says. ‘People can just listen to it and decide how it reflects their own lives. They can just imagine whatever the music makes them imagine. That’s the beautiful thing about music without words. It’s just a matter of using your imagination, finding your own voice within the music, and traveling with it wherever it takes you.’

http://www.hiromimusic.com/

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